The Art and Ideology of the Trade Union Emblem, 1850–1925 William H. Martin

The Art and Ideology of the Trade Union Emblem, 1850–1925 William H. MartinThe Art and Ideology of the Trade Union Emblem, 18501925 is a groundbreaking book that considers trade union emblems and banners as art objects in their own right. It studies their commissioning, their designers and the social conditions and gender relations that they knowingly or unwittingly reveal.

global competition and external shocks

this volume demonstrates both the continuing potential of Theodor Adorno’s work on literature

Stanley raffle argues that metaphors are not just aesthetic tools

The Cultural Dimensions of Peacebuilding details aspects of cultures

from its origins as a grassroots movement to its current status as serious scholarship

the author asks in what sense citizens of modern

in post-war England

it is time to re-examine the concept and purpose of writing

Engendering Whiteness examines the complex diversity of slaveholding and non-slaveholding white women’s material realities within the slave societies of Barbados and North Carolina between the 17th-19th centuries

the broader European and American civic republican tradition and the contemporary revival of this tradition of citizenship

Draws on unexploited original sources from Ireland and Germany

With chapters covering series such as Brookside